This is an immensely silly book designed to be shared aloud that will probably result in rauccous laughter and incredulous guffaws from both adults and children ('That can't be a real word!'). Despite the title, it isn't all toilet words that feature; hidden within the endpapers covered in the word 'poo!' are useful (and genuine!) words, all listed in a glossary at the end of the book. Little used words that are incredibly fun to say may just become part of the everyday vernacular: bumfuzzle, flapdoodle, persnickety, wallop and succotash.
Tom Jellett's (My Dad Thinks He's Funny) illustrations are awesome as always. Larger than life, big expressive faces fill the colourful pages, with the words themselves also taking centre stage. At heart this is all about having fun with language and creating shared meaning. Getting children to discover that words can be fun is not always easy - this will help! It is also an enjoyable way to teach children about the importance of a glossary and how to use one. Creating their own nonsense word and definition or finding other funny words in a dictionary could also be used as fun follow on activities.
Let’s Go, Little Roo is a very appealing story about friendship and taking those first steps towards feeling comfortable in a new situation. Little Roo is safe and warm in her mother’s pouch. Her mother tries to entice her to join the other joeys by mentioning the warm sun, the delicious grass and the fun the other joeys are having. However Little Roo is too shy until her mother mentions another bush creature who is also hiding in his mother’s pouch. They talk about how he might be feeling and Little Roo bravely decides to venture out and offer friendship.
The illustrations are captivating and the soft pastel tones set the scene for a gentle read. Perfect for Early Years children.
Themes : Being afraid, Australian animals, Bravery, Friendship, Wellbeing.
Centred on one young woman, Alex visits a town that is familiar to her from the past, but to her it seems that it offers no welcoming feel. Weaving the narrative between the past and the present, using ‘Then’ and ‘Now’ to orientate the reader, Watson creates a story that is shrouded in mystery and a sense of dread. As a film-maker, Alex is determined to evoke the sense of place in the town, and photographs and films the local pub, the wild sea shore, the places and people who live there. She hopes to evoke her own buried memories but she can barely recall the events that seemingly caused her to leave, realizing that she had forgotten her former name.
Situating this narrative in the wild coast of Northern England, Watson draws us into the story through the gradual hints of the past that occur and as the story progresses, we read about some of her childhood experiences. Shrouded in a mysterious blankness, she gradually recalls some events that clearly caused her to flee many years ago. Weaving the past and present is a strong hook that captivates the reader and the intriguing nature of her memories.
As a film-maker, Alex is determined to take photographs and film the place and the people whom she meets, somehow hoping that she will be able to recall the events of the past that haunt her. The discomforting uneasiness is strong as she tries but cannot recall the events that caused her to leave the town, and not return for years, but she does begin to remember some things. Alex is not her real name but she cannot remember her former name.
Themes Childhood memories that evoke terror, Fear, Determination to discover the events of the past.
Elizabeth Bondar
The darkest evening by Ann Cleeves
A Vera Stanhope Novel 9. Pan Macmillan, 2020. ISBN: 9781509889525. (Age:Senior secondary - Adult) Highly recommended.
A fan of the TV series, I was delighted to pick up a Vera Stanhope novel, not having read one for several years. When driving home on a dark winter’s night, Vera takes a wrong turn and seeing a car abandoned on the side of the road stops to help and discovers a toddler strapped inside. Knowing how dangerous the weather is, she decides to take him to the nearest house, which turns out to be Brockburn, the manor house where Hector her father had been brought up. There, amidst the gaiety of a party, a young woman’s body is found in the snow, and Vera is plunged into a murder investigation.
This has all the hallmarks of a good mystery. There is a country house that is starting to decay and well fleshed out characters from the wealthy landowners, tenant farmers and village people all provide suspects. Lorna, the young woman who had been murdered had suffered anorexia in her youth and had not disclosed the name of the father of her baby to anyone, so Vera and her offsiders, Joe and Holly are faced with multiple suspects and red herrings to follow up.
It was particularly interesting to find out that Vera was related to the people in the big house and to see the divide between the rich and middle class. The book revolves around family and all the problems and rumours that can ripple even the smoothest surface of a relationship. The Stanhope family needs money and Juliet has been unable to have a baby, no one knows the identity of the father of Lorna’s baby and why she is estranged from her father, and even Vera feels a tug towards the little toddler left motherless.
This was an entertaining and engrossing mystery, easy to read, with an exciting conclusion which I did not expect. I found the book gave insights and background to Vera that added to the picture of her I had built up from the TV series. A most satisfying read.
Themes Mystery, Families.
Pat Pledger
Float or sink? by Kylie Covark and Andrew Plant
Ford Street Publishing, 2021. ISBN: 9781925804621. (Age:4+) Recommended.
Float or Sink? is an amusing rhyming story which follows the journey of a stick along a watercourse. Insects that live beside the river habitat balance precariously on the stick with the reader then asked the question if they will float or sink. Floating and sinking are important Science concepts introduced in the Early Years and this easy to read picture book offers students the opportunity to predict the outcome and discuss their thinking with an adult or their peers.
The clever use of repetitive text reinforce the humour of the story as well as offering an entertaining read aloud. The brightly coloured illustrations are visually stunning and offer a depth of detail for the reader to explore. Teacher's notes are available.
This book would be a welcome addition to any kindergarten or primary school library.
Watch out reading this book to younger readers, all sorts of ideas about what to do with their spaghetti will be formulated, egged on by the inviting rhyming lines and riotous illustrations showing one family’s foray into eating spaghetti for tea.
Each rhyming couplet urges the readers to predict the rhyming word, and to try out the words and lines for themselves, giggling at the images both imagined and presented before their eyes.
The spaghetti lover tries all sorts of things with her swirls of pasta: she eats it with her fork, spoon and hands, getting it on the floor and the chairs, telling Spot to eat it up, she makes shapes with the pasta - butterflies and glasses, a giggly face and wriggly feet and finds a monster swimming in the cheesy sauce. But when she fills her father’s cup with pasta, Mum has had enough and she goes off to her room, after stuffing her pockets with spaghetti. Here she develops a spaghetti abc, proudly showing her efforts to Spot, but finding it all so yummy, that she cannot help but eat some, leaving her favourite letters, a, b and c to make a present for her mother.
All is at peace until she makes a suggestion that brings a bemused, long suffering look to Mum’s face.
A hilarious look at meal times with spaghetti on the menu, all the mess of the meaty cheesy sauce swirling around bowls of spaghetti will remind people of the times they have eaten spaghetti at home or in a restaurant. Memories of the messes children can make will cause readers to laugh out loud, while they enjoy reading out the pairs of rhyming lines. This is a wonderful read together, a read out loud, a sharing book for all ages, with rhyming that grabs the listeners attention and images which indulge their flights of fancy with piles of pasta.
Spaghetti is seen on every page as Spot and her owner lap up piles of the stuff. Watch out for the details: Grandma knits hers, the girl feeds hers to the dog, and plays nought snd crosses with some, there are faces hidden in the pasta, Dad eats several bowls, the baby has made bricks of hers, Spot has a new pasta coat and so on, each page draws the eyes in to look more closely at what Niland is offering. The opening double page reveals the alphabet in pasta, surely a prod to try it out for yourself.
A treat awaits all readers, young and old, recalling memories of meal times with young children.
If you have ever seen Dorothea Lange’s photographs of the Great Depression of the 1930s, particularly ‘Migrant mother’, you will know what this book is about. It was a time of drought, dust-bowl conditions, hardship, and unemployment; families uprooted and constantly on the move, starving, and searching for work.
Hannah’s novel begins with the story of Elsa as a young woman, plain and unloved; then a moment of rebelliousness sees her scorned by her family and married off, pregnant, to Rafe, a young Italian man; joining with his parents in the hard toil of working the land.
In the 1930’s, Oklahoma suffered year after year of drought and stifling dust storms that induced dust pneumonia; people with eyes turning red, short of breath and coughing up mud. Elsa, deserted by her husband, has to face the decision of staying on the land, the only true home she has known, or venturing out with two children to seek a better future elsewhere, amidst hordes of homeless people also hungry for some kind of work.
Hannah’s novel vividly describes the suffering and misery of that era, with desperate itinerant workers abused and vilified by their own countrymen. It is a story of epic proportions, and recounts the battle between cotton magnates and the disposable workers, communism, and the workers’ rights movement. But at the heart of the novel, is the relationship between Elsa and her daughter Loreda, changing from resentment and bitter antagonism, to the girl’s gradual appreciation of the strength and commitment of her mother.
It is in the end a heart-warming story of women, of finding inner strength and standing up for beliefs, with the addition of a pleasing thread of romance.
Themes Women, Courage, Great Depression, Drought, Dust, Workers' rights, Exploitation.
Helen Eddy
Dino love by Michette Worthington
New Frontier, 2020. ISBN: 9781922326119. (Age:2-5)
Bright illustrations and simple text capture all the loving moments that happen for a young child within a single day. From sibling love, to parent love, to friendship love and self love. On the way to school/childcare/kindergarten a little dino plays joyfully with a sibling, says goodbye to mum, learns, eats and plays with friends and reunites with family at the end of the day. These adorable and brightly coloured dinosaurs will engage little eyes and simple and repetitive text with hold their attention. 'Love is...goodbye hugs...feeling grown-up...doing your best'. Simple things are conquered, like writing letters and going down big slides and you can see the little dinos chest swell with pride at how he is loved, encouraged and supported.
This is a great book to read to young preschoolers or even those beginning school, especially those who tend to get a bit anxious about being separated from their family. It is a beautiful reminder that love is all around them in many forms, and that their family will be right there at the end of their busy day.
Themes Love.
Nicole Nelson
Three dancing frogs by Leigh Hardingham
New Frontier, 2020. ISBN: 9781921928819. (Age:3-6) Recommended.
Soft watercolour illustrations accompany this poetic and magical tale of a bushland ballet performance. As the day grows old the Aussie bush animals are all preparing for the show: 'possums and geckos are filling the spaces; Bilbies and beetles are taking their places'. The rest of the cast include cicadas, fruit bats, emus and spiders. Some of the animals make up the audience, while others are providing musical accompaniment; there are flutes and harps, cellos and violas. But it's the three little frogs who take centre stage. Their movements are rhythmically described: 'through ribbons and reeds, with lightness and ease'. Little ballet dancers will love the inclusion of ballet language such as arabesque and plie. It starts to rain but 'the audience is silent, lost in romance' and as the lightning strikes and the thunder rolls the three little frogs reach the crescendo of their performance.
Patrick Shirvington's (Can you Find Me?, Can You Find 12 Busy Bees?) illustrations are stunning and dreamy with soft edges that work to immerse you into the page. Along with these superb visuals, vivid imagery and rich description of the music and the dance lead the audience right into the performance, creating a dramatic feast. The way it describes the visual and musical elements of performance is reminiscent of A Guinea Pig Nutcracker. This will be adored by young ballet dancers and those with a love of performing! Teacher's notes are available.
Sixteen-year-old Deka cannot wait for the Ritual of Purity. On that day she will finally be able to prove to her family, friends and community that she belongs. When she is cut by the priest, she is sure that her blood will run red. She cannot bear to imagine what will happen if she bleeds gold . . .
When Deka's village is attacked during the ceremony by the violent and fearsome deathshrieks, Deka saves her loved ones but is revealed as a gold-veined 'demon'. Subjected to torment and torture and forced to die over and over again by those she once considered family and friends, Deka is finally rescued by the enigmatic White Hands, a woman who promises absolution if Deka will join the Emperor's newly formed army of girls as impure as herself. Whisked away to the capital to train as a warrior, Deka discovers troubling secrets about her growing abilities, her past and the empire she has sworn to protect, that may change everything she is working towards.
The Gilded Ones is an excellent debut from Sierra Leonian-American author Namina Forna. Weaving together elements of fantasy and traditional West African society, Forna has created a compelling and unique world for readers. Young adult fantasy by African authors is gradually gaining more traction in a genre heavily dominated by European and North American fiction. The Gilded Ones is a worthy contribution to this growing group. It must be mentioned however that Forna does not hold back on her portrayals of the abuse and trauma suffered by women living in patriarchal societies. Readers should be aware and keep this in mind when determining whether to read this book.
Simon & Schuster, 2020. ISBN: 9781760854478. (Age:Adult - 17+)
This riveting new book opens to a sense of tension as Mim, the mother of two young children, is washing her hands while trying to calm her mind as she considers the inherent problems that she has been made aware of: that her husband is missing. He has been working in a mine in Indonesia – a cooperative venture between China and Australia. Questioned as to what she knows, which we know is really not much, she sits drinking tea in her home with the offer of help from the visitor from The Department, visiting her with an offer of support, but actually there to discover if she knows anything about her husband, which is nothing. As they leave they decide to take all three passports, hers and those of the children. The era is one of great oppression, The Department ruling with an iron hand and enforcing rules that are obeyed or the consequences are dire.
We are immediately plunged into anxiety, drawn in by her fear, her awareness of being a geologist in this new era, a time of great oppression and regulation overseen by powerful, manipulative governments. A decision is vital, she believes, and she sets off almost immediately, telling nobody of her plans. She travels up through the Northern Territory, and thence, she hopes to find a way to go to Indonesia by seeking a fairly innocuous fishing vessel to take her and the children. Her second dangerous decision, to cut out the micro-chip from each of their palms, is one that she considers terribly risky but she believes that it offers the only possibility of their not being able to be traced as they journey from Australia.
It is a terrifying narrative in many ways, full of fear and exploring how difficult it is to live with her deep anxiety about both her husband’s future and saving the lives of her children and her own life. A deep and terrifying tension underlies the narrative, and we are caught up in her fear, sometimes unsure of her decisions, and choices made, but understand clearly her terror and driving need to alert her husband to the questions that he is likely to face.
This book would only be suitable for adults and older adolescents as neither its topic nor the level of tension, are appropriate for younger readers.
Andrew Joyner is a master at saying a lot with few words. His playful illustrations (in black and white with pops of green), combined with carefully chosen words call children to action and instil them with agency. This is a call to arms, letting children know that they do have the ability to change their world, as well as reminding adults to support them (and join them). It is poignant that it is the adults listening to and following the lead of the children, as this is what we have seen happening around the world (Greta Thunberg being just one example). Some of these young people are profiled in the back of the book, highlighting what they are speaking out about and how they have got people to listen.
The text itself is made up entirely of two word sentences, the second word of which is 'up'. From 'wake up' to 'meet up' to 'think up' to 'listen up' it chronicles a short period of time in a young girl's life. After attending a climate change demonstration she watches the environmental degradation shown on the evening news. A sleepless night leads to her taking action: thinking, writing, sharing with others and initiating change. Not only does the book champion speaking out but it shows practical actions that can make a big difference: recycling, cleaning up our beaches, walking rather than driving, growing our own vegetables and swapping clothing. The illustrations also depict a wonderfully diverse community.
This is a hopeful and important book that can and should be used to initiate rich discussions about sustainable practices. Fans of Joyner's similar title The Pink Hat (about marching for women's equality) will be particularly happy.
This adventure, with a hint of magic, is set in Scotland in 1647. It is told by Art Flynt and begins when she has to hide in the ceiling from English soldiers. Her mother and other women are being arrested for witchcraft and sent for trial in England. Suspects usually have no chance of surviving and most of the women really just have extensive knowledge of the healing powers of plants. Art sets off on her extraordinary horse, Lady, with the aim of finding and freeing her mother. On her long journey she must ride through forests and be on her guard. However, she is also helped by a mysterious woman. After Art saves a teenage girl called Mercy from death, the two become friends and plan to free Art’s mother from a castle.
This has many pleasant illustrations and is written in present tense with short sentences. It is easy to read and has a lot of action, but you aren’t emotionally bound to the characters. It is based on a real person, the WitchFinder General, and it is interesting to learn about the travesty of his witch trials. However, the reader needs to suspend their disbelief when it comes to many of the events in the story, omens, thought transference with animals and the implausible skills of the girls. For example, how could Art make such a long journey (600km) in such a short time? Historical endnotes would help young readers have more context regarding the truth, since these aren’t the witches of modern fantasy. Nevertheless, Amy Raphael has made teenage girls the heroes in this medieval world, which is unusual in books for this age group and may appeal to readers of fantasy.
Themes Strong female characters, Medieval history.
Jo Marshall
Be not far from me by Mindy McGinnis
Katherine Tegen Books, 2021. ISBN: 9780062561633. (Age:15+) Highly recommended.
A Top Ten Best Fiction for Young Adults 2021 suggests that this is an outstanding read and I certainly could not put it down. It has all the ingredients for an enthralling story, engrossing plot, terrible odds and wild forest and a great heroine in Ashley. After a fight with her boyfriend and drinking too much at a party in the woods of the great Smokey Mountains, she flees through the trees and becomes lost. She pushes herself to her absolute limit, trying to find her way home, determined to survive against the odds even though her foot is badly injured, and she has little food or water.
The book is divided into three sections by an atmospheric illustration of the trees and Smokey Mountains, and little illustrations appear at the top of each chapter as well. Told in the voice of Ashley, the reader is carried along on her harrowing journey (some incidents are not for the faint-hearted), while at the same time learning much about Ashley, her ability to run, the poverty that she endures and the friendships that she realises mean so much to her. Davey Beet, who taught her how to survive in the wilderness when she was at summer camp, is another character who adds tension to the story. After disappearing somewhere on the mountains because his girlfriend had broken up with him, the reader is left wondering whether he is still alive.
Readers who enjoyed Hatchet by Gary Paulsen, Not If I Save You First by Ally Carter and Nowhere on Earth by Nick Lake will be happy to move onto Be not far from me, and I am looking forward to reading more books by Mindy McGinnis.
Themes Survival, Poverty, Adolescents.
Pat Pledger
10 naughty numbats by Grace Nolan. Illus. by Nancy Bevington
Big Sky Publishing, 2021. ISBN: 9781922265616. (Age:3+)
An easy to read catalogue of Australian animals numbering from one to ten will quieten the loudest of kids as they get into the rhythm of the words, predicting the last line of each double sentence, learning to recite lines along with the reader and laughing at the antics of the animals illustrated with such humour and panache.
From one playful platypus, to wobbly wombats and perky possums, the alliteration will also draw readers' attention as they note the repetition of the first letter. Prediction, repetition, alliteration will be learnt as children read this poem, using familiar Australian animals.
Some may not have heard of some of the animals, so they will learn about a few beyond their experience and ask questions about them.
The colourful images of the clothed animals will have readers laughing out loud as they spot the swans with their water wings, the echidnas in glasses, koalas in pyjamas.
And learning to count to ten will be made much fun by looking for the animals on each page. At the end of the book are a few pages asking questions of the reader, having them show what they have learnt.
